silence
In the enjoyment of a meal, there are 3 such sounds?
laughter
the word "yes"
snores from the big, beautiful cat
haiku (and not your usual 5-7-5)
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Wednesday, March 28, 2012
Curling. When to indent and when not?
That is the conundrum. When is a line too long? When cannot the ear hear & take out from the top shelf its sharp scissors. Know this, a line can never be too short.
As the best meal is the length of memory and it curls the tongue, deliciously.
As the best meal is the length of memory and it curls the tongue, deliciously.
Glossolalia. Does each poem sport a bit of babble?
Speaking of (& in) more than one tongue as an audience hears with multiple ears we come to question, "What exactly is nonsense?"
Nonsensical food? Junk of course. Hesitantly, I whisper, "mayo."
Nonsensical food? Junk of course. Hesitantly, I whisper, "mayo."
Tuesday, March 27, 2012
Polysemous. When does ambiguity make meaning in a poem?
Words too close to a precipice?
The memory of what the mirror saw?
Snapshot left in a drawer for two decades. No names, no dates on back-of. What to make of?
When the story needs to be told, to be written.
Small dishes with irregularly-cut savories placed in hand's-reach of the hungry. A trace of salt; no trace of ambiguity.
The memory of what the mirror saw?
Snapshot left in a drawer for two decades. No names, no dates on back-of. What to make of?
When the story needs to be told, to be written.
Small dishes with irregularly-cut savories placed in hand's-reach of the hungry. A trace of salt; no trace of ambiguity.
Cacemphaton. To what good end are vulgarities in poetry?
Should poetry reflect the times? Will the cattle prod replace the pen? Is texting akin to street-speech? Are no words, no subjects off-limits? And who still holds open the door for an old word?
Heat & fire. Chile pepper flakes. Wasahi. Fresh ginger. Garlic-breath.
Heat & fire. Chile pepper flakes. Wasahi. Fresh ginger. Garlic-breath.
Hypotiposis. Do poems catalog reality?
Are they vehicles to transport the real? Specifically, the reality of objects. What is truer,words on or the page blank? How is reality best set-upon? Best expressed? How many views does the apple have of the poem? Of the poet?
How real is the chef's knife when unseen in the drawer? Yet, visually experienced by everything in that drawer. Does the chef's memory create the knife?
How real is the chef's knife when unseen in the drawer? Yet, visually experienced by everything in that drawer. Does the chef's memory create the knife?
Tuesday, March 20, 2012
Equivocation. Do poems mean to mislead?
Or is it inherent in each poet to mislead and/or is the poet inherently an ambivalent creature?
Words aren't neutral, and I don't subscribe to neutral colors. Weigh in on this, please.
In culinary matters, I've heard it said that tofu is a major cause of equivocation. Tofu turkey, tofu chicken, tofu beef. Come to think of it, haven't encountered tofu oysters. Have you? No doubt, a good thing.
Words aren't neutral, and I don't subscribe to neutral colors. Weigh in on this, please.
In culinary matters, I've heard it said that tofu is a major cause of equivocation. Tofu turkey, tofu chicken, tofu beef. Come to think of it, haven't encountered tofu oysters. Have you? No doubt, a good thing.
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